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The larger-than-life gallery founder combined razor-sharp instinct and a passion for the new, writes Florence Hallett Vasily Kandinsky’s painting “Dominant Curve (Courbe dominante)” (1936) in “Peggy Guggenheim in London: The Making of a Collector.” Photograph: © Peggy Guggenheim Collection / Matteo De Fina “Little did I dream of the thousands of dollars I was about to sink into art,” wrote Peggy Guggenheim in 1946, reflecting on her first forays into collecting. Today, the American-born heiress and socialite (1898-1979) is celebrated as an art-world powerhouse whose pursuit of contemporary talent took her from New York, via Paris and London, to Venice, where her landmark collection is installed in the palazzo on the Grand Canal that was her home for the last 30 years of her life. But Guggenheim’s collecting journey began on a more modest scale. Her earliest acquisitions were bought for Yew Tree Cottage, the historic timber-framed home deep in the English countryside on the Hampshire-Sussex borders where she lived between 1934 and 1939. These formative years culminated in the opening of her first gallery, Guggenheim Jeune, in London’s Mayfair in 1938, a spark plug for the rather staid British art scene of the time. The bold but short-lived venture is now the focus of a new exhibition at the Peggy Guggenheim Collection, Venice, which will travel to London’s Royal Academy of Arts this fall and on to the Guggenheim New York in 2027. Peggy Guggenheim at Hayford Hall, Devon, England in 1934. Photograph: Private collection For today’s art collector, new or established, Guggenheim offers not only joyous inspiration, but clear-sighted wisdom as valid now as it was almost a century ago. But the self-proclaimed “art addict” might never have been: heartbroken after a series of personal traumas, Guggenheim first turned to collecting as a distraction. It was a friend, the French artist Marcel Duchamp, who introduced her to the art world. The pair met n the 1920s in Paris, where a young Guggenheim had moved to embrace a more bohemian existence than her life in New York. “At that time, I couldn’t distinguish one thing in art from another,” she wrote. “Marcel tried to educate me. I don’t know what I would have done without him.” Guggenheim’s willingness to take advice was among her key strengths as a collector, but it was matched by a supreme confidence in her own judgment, says Gražina Subelytė, co-curator of the current Venice show, “Peggy Guggenheim in London: The Making of a Collector.” “She valued originality and experimentation above fashion or convention,” says Subelytė. “She also surrounded herself with a remarkable circle of advisors, including Duchamp, Mary Reynolds, Herbert Read, Nelly van Doesburg, Samuel Beckett and others, reflecting her wisdom and openness to different perspectives and her willingness to trust informed judgment while still following her own instinct.” “Peggy Guggenheim in London: The Making of a Collector.”. Photograph: © Peggy Guggenheim Collection / Matteo De Fina The force of this personal response to art is recorded in her autobiography, where she describes her encounter with the Jean Arp sculpture “Head and Shell” (circa 1933) that would be her first personal acquisition. “I fell so in love with it that I asked to have it in my hands. The instant I felt it I wanted to own it,” she recalls. Guggenheim—her name synonymous with the boundless wealth of a family who originally made their money in mining—once pledged to “buy a picture a day.” But her resources were not unlimited. “She was not among the wealthiest members of the Guggenheim family, and her collecting was often shaped by careful choices, instinct and timing rather than unlimited means,” explains Subelytė. “During the London and Hampshire years, as World War II approached, uncertainty and limited space inevitably impacted her choices,” Subelytė says. “Guggenheim’s interest in smaller, portable works—such as the [Arp sculpture] or Henry Moore’s ‘Reclining Figure’ (1938)—reflected not only practical realities, but also her instinct for recognizing artists of lasting significance before they were widely celebrated.” “Peggy Guggenheim in London: The Making of a Collector.” Photograph: © Peggy Guggenheim Collection / Matteo De Fina In fact, Guggenheim claimed a degree of credit for encouraging Moore’s small-scale productions, having written to explain that she admired his work and “how sorry I was that I had no room in my house for any of it.” True or not, it reflects both the value she placed on her relationships with artists, whose studios she regularly visited, and her growing influence, which was extended with the opening of Guggenheim Jeune. “While it lasted less than two years—and lost money—the gallery shook up fuddy-duddy London art institutions,” says Georgina Adam, art market editor-at-large at The Art Newspaper. It also introduced surrealist and abstract works—particularly those of Russian artist Vasily Kandinsky—to the British public, Adam notes. Guggenheim gave Kandinsky his first London exhibition, from which her sister Hazel bought his “Cossacks” (1910-11), presenting it to the Tate Gallery in 1938. “As well as taking the time to get to know artists and their work, [Peggy] was often very supportive of their careers,” says Simon Grant, the Venice exhibition’s co-curator. A notable example: the financial help she gave to the German artist Otto Freundlich when he was being persecuted by the Nazis. Vasily Kandinsky’s “Cossacks (Cosaques)” (1910–11). Photograph: Tate, London, Presented by Mrs Hazel McKinley, 1938 In addition, Grant says, “she played an important and little-known role as an art patron by donating numerous artworks by both British and international artists to several regional galleries at a time when such action was rare.” Her knack for spotting talent extended to a 15-year-old Lucian Freud whose work was shown at Guggenheim Jeune and to plans—never realized—for Frida Kahlo’s debut UK show at a time when the Mexican artist was known principally as Diego Rivera’s wife. Trusting your own tastes, immersing yourself in contemporary culture, and seeking out talented, emerging artists whose work is still relatively affordable all remain astute tactics for collecting today—best approached the Peggy Guggenheim way, through a genuine love of art and the individuals who make it. Visiting Venice? Explore the city’s historic palazzi, reimagined for modern living “Peggy Guggenheim in London: The Making of a Collector” is at Peggy Guggenheim Collection, Venice, until October 19, 2026; then Royal Academy of Arts, London, November 21, 2026–March 14, 2027; and Guggenheim New York, April 16–September 12, 2027

This 2.91-acre estate on the coast of Connecticut traces its legacy to the days of America’s industrial boom, and the 13,163-square-foot Mediterranean-style villa at its heart continues the esteemed pedigree thanks to meticulous maintenance and expansion by Frank and Kathie Lee Gifford. The coast of Connecticut and New York’s Long Island are a storied stretch of land whose early-20th-century Golden Age has long been the nexus of a unique glamour—the sort captured in lore and literature, including F. Scott Fitzgerald’s Great Gatsby and similar tales. This estate in Riverside, Connecticut, traces its legacy to the days of America’s industrial boom, when businessman and financier Henry Francis Shoemaker established a grand getaway here, on an enviable waterfront peninsula. The name Shoemaker gave his villa, Cedar Cliff, became so locally revered and renowned that the road on which it was located was named for it. And so pedigreed was the property that in the 1920s it became the home of the exclusive Cedar Cliff Beach Club. Decades later, in the 1990s, the link with legend continued, as sports and media luminaries Frank and Kathie Lee Gifford purchased the 2.91-acre property to create a new retreat both refined and relaxed, elegant and inviting. Riverside, Connecticut| Leslie McElwreath, Sotheby’s International Realty – Greenwich Brokerage Today the majestic 13,163-square-foot Mediterranean-style villa that anchors the gated peninsula has a footprint somewhat larger than its original—the Giffords added a wing during their years of ownership—but the singular ambience persists. Classical elements—a quintessential terra-cotta-tile roof, intricate interior millwork, richly hued antique hardwood floors, and ceiling tracery—exist alongside a wide variety of contemporary comforts and conveniences, among them an elevator, an estate-wide generator, new custom windows, an office, a recording studio, a wine cellar, and a 20-seat theater. Spaces for day-to-day living and festive entertaining are plentiful and include a billiards room and a serene sunroom. The eight restful bedrooms all enjoy water vistas, and in the primary suite—located in the new wing—an abundance of windows blur the boundary between indoors and out, making scenes of blue sky and placid sea practically everpresent. Daniel Milstein Photography " src="https://www.sothebysrealty.com/extraordinary-living-blog/wp-content/uploads/2026/05/9-1-1024x683.jpg" alt="sunroom with seating looking over the Cedar Cliff estate from floor-to-ceiling windows" class="wp-image-346960" srcset="https://www.sothebysrealty.com/extraordinary-living-blog/wp-content/uploads/2026/05/9-1-1024x683.jpg 1024w, https://www.sothebysrealty.com/extraordinary-living-blog/wp-content/uploads/2026/05/9-1-300x200.jpg 300w, https://www.sothebysrealty.com/extraordinary-living-blog/wp-content/uploads/2026/05/9-1-768x512.jpg 768w, https://www.sothebysrealty.com/extraordinary-living-blog/wp-content/uploads/2026/05/9-1-1536x1024.jpg 1536w, https://www.sothebysrealty.com/extraordinary-living-blog/wp-content/uploads/2026/05/9-1-1200x800.jpg 1200w, https://www.sothebysrealty.com/extraordinary-living-blog/wp-content/uploads/2026/05/9-1.jpg 1800w" sizes="auto, (max-width: 1024px) 100vw, 1024px" While the prestigious Indian Head Association affords the luxury of a nearby private beach, Cedar Cliff’s impressive manicured grounds are, in effect, a personal private resort. Inimitable in both scale and amenities, they encourage all manner of alfresco activities: open-air dining beneath an enchanting pergola; cocktailing at a bluestone bar; lounging on any of the numerous sun-washed and shady terraces; relaxing in the refreshing swimming pool and spa; benefiting from the cabana’s fitness center, kitchenette, full bath, and changing rooms; frolicking on an emerald expanse of impossibly lush lawn; engaging in a rousting match of tennis; basking in the warmth of an outdoor fireplace; or boating on the brisk waters of Greenwich Cove thanks to some 1,250 feet of direct water frontage, a stone pier, and a deepwater dock. The view from nearly every vantage point on the estate is, naturally, priceless, stretching across the water to the sparkling, inspiring skyline of Manhattan. Discover luxury homes for sale and rent around the world on sothebysrealty.com

From a US$55M sale in Coral Gables, Florida, to a US$15.6M sale in Sisters, Oregon, here are five sales represented by the Sotheby’s International Realty global network in April. Coral Gables, Florida Dennis Carvajal, Banna Fakhoury | ONE Sotheby’s International Realty, US$55M View properties in Coral Gables, Florida Naples, Florida James Bates, Maggie Ives| Premier Sotheby’s International Realty, US$17.6M View properties in Naples, Florida Shelter Island, New York Nick Brown, Lidia Murphy| Sotheby’s International Realty – East Hampton Brokerage, US$15.995M View properties in Shelter Island, New York Sisters, Oregon The Ladd Group: Erin Martin, Steve LaCrosse| Cascade Hasson Sotheby’s International Realty, US$15.6M View properties in Sisters, Oregon Newport Beach, California Kim Bibb, Lauren Bibb| Pacific Sotheby’s International Realty, US$14.9M View properties in Newport Beach, California Discover previous editions of Significant Sales on the blog

Seamless design and lush landscaping create spaces that feel inviting long before the full heat sets in, writes Elizabeth Fazzare Pacific Palisades, California | Sotheby’s International Realty – Brentwood Brokerage Though summer is typically considered the time for peak outdoor living, a well-designed home can not only extend the season of alfresco dinner parties and starlit nightcaps, but exude a sense of calm and harmony with nature. Even in the crisper spring months, strategically planned indoor-outdoor spaces create a comfortable environment outside while also drawing sunlight into a home’s interior and establishing a biophilic visual relationship with the surrounding landscape. In luxury homes, such courtyards, terraces, decking and balconies have moved beyond “nice to have” to become a must, with careful planning, planting and decorating going into making these transitional zones transformative. Pacific Palisades, California | Sotheby’s International Realty – Brentwood Brokerage “At the high end, it’s not just about having a patio; it’s about creating a seamless extension of the home and promoting an environment of wellness,” explains Shamon Shamonki, global real estate advisor at Sotheby’s International Realty – Brentwood Brokerage in Los Angeles. “Buyers aren’t looking to step outside; they want the [indoor] living experience to continue, whether that opens to ocean views, a landscaped yard or a fully built-out entertaining environment.” Madrid, Spain | Spain Sotheby’s International Realty A 1972-built hillside home, renovated and expanded by Claudia Janet on a lush site in California’s Pacific Palisades captures the concept beautifully, with expansive folding glass walls on every floor providing light and an indoor-outdoor connection. while canopy-immersed balconies offer privacy or space for entertaining, depending on mood. In Madrid, meanwhile, a four-story abode opens out to a leafy courtyard, surrounded by mature trees and potted planting, while a large upper-level terrace is shaded by a vine-covered pergola and conjures a secret-garden atmosphere. “Post-pandemic, outdoor space isn’t secondary anymore, it’s part of the core living experience,” says Shamonki. When done right, it “can elevate a home to something that feels experiential and memorable,” and therefore more desirable. Budva, Montenegro | Montenegro Sotheby’s International Realty To create spaces that achieve this across the seasons, it is crucial to select the right site and integrate the architecture and landscape teams right from the start. “For spring and early summer, orientation and how the site handles light and wind are crucial. We want to pull in morning sun and the softer afternoon angles, and screen out the harsh western exposure,” explains Michael McGowan, associate principal and project landscape architect at multidisciplinary Los Angeles firm KAA Design Group. “Layering shade is part of that, relying upon trellises, deciduous planting or light overhead structures that let the space breathe without baking.” For design longevity, indoor-outdoor palettes should be natural, with “materials that age well, like wood, linen, leather and patinated metals,” adds Grant Kirkpatrick, architect and KAA Design founder. London, England | United Kingdom Sotheby’s International Realty Floorplan location is also important. Indoor spaces that open directly to their outdoor counterparts are most effective, says McGowan—so pair kitchens with dining terraces, indoor with outdoor living rooms. Courtyards between public and private spaces encourage mingling. When architects Caireen O’Hagan and Base Associates converted a former London aircraft factory into a luxurious seven-bedroom home, they centered the design around an outdoor dining terrace accessible from the kitchen and main living areas through step-free sliding glass doors. Bay Area, California | Golden Gate Sotheby’s International Realty Physical and visual barriers impede indoor-outdoor living. As such, Kirkpatrick suggests “aligning floor elevations, minimizing thresholds and extending material palettes”. In a 19th-century home in Sausalito, California, a large covered porch off the open-plan kitchen and dining room offers an intimate, weather-resistant space to view San Francisco Bay. The bedrooms also enjoy waterside decking. “The house does not open to the outdoors; it instead feels as though it was always part of it,” concludes Kirkpatrick. These epic rural homes offer outdoor living with ‘Wuthering Heights’ style and drama