Natalie Davis
I
February 19, 2026
Collecting Focus: Chinese Art and Antiques
From headline-making Ming pieces to elegant, accessible ceramics, Chinese art brings exquisite artisanship and a tangible connection to the past to any serious collection, writes Katie Armstrong A rare famille-rose “peony, magnolia and peach blossom” vase (Tianqiuping), seal mark and period of Yongzheng. Photograph: Sotheby’s When a tiny Ming dynasty fine-porcelain “chicken cup”, measuring just 8cm wide, sold for a whopping HK$281 million (US$36.3 million) at Sotheby’s Hong Kong in 2014, it was the highest ever auction price achieved for Chinese porcelain at the time. Record-breaking, certainly, but its new owner, Shanghai collector Liu Yiqian, seemed fearless about other breakages, given he was soon pictured drinking tea from his recently acquired (and incredibly rare) cup. Which other auction category gives collectors the opportunity to use objects, even momentarily, as they would have first been used hundreds or thousands of years ago? At Sotheby’s, the Chinese Art department consigns Chinese art dating back to the Shang dynasty of around 1600B.C. right through to contemporary pieces. A rare Qianlong ‘dragon and cloud’ vase sold at Sotheby’s New York in March 2025. Photograph: Sotheby’s “It’s a rare category in that lots of different types of objects are sold, everything from ritual bronzes, furniture, porcelain, ceramics, lacquer, cloisonné and jade,” says Tristan Bruck, vice president and specialist, Chinese works of art, at Sotheby’s New York. While live and online sales are held throughout the year and across the globe, the upcoming Chinese Art sale on March 25 at Sotheby’s New York will be a brilliant showcase of the category’s range. “A lot of the focus is on the decorative wares,” says Bruck of auction interest and activity. Each imperial Chinese dynasty produced different styles and types of decorative objects. The Ming dynasty (1368-1644) is well known for its blue and white porcelain, while imperial ceramics from the Qing dynasty (1644-1912), especially those with the marks of the Emperors Kangxi, Yongzheng and Qianlong, are also highly coveted by collectors. Though pieces created for an emperor command a particularly high price, many other items including those made for scholars, officials and merchants can be more accessible. The enormous artistic output of China’s artisans also allowed for much of it to be exported, and collections of Chinese art are found across the world. “You can still see Chinese blue and white porcelain, intended for the Ottoman court, in Istanbul,” says Bruck, “and we see some in the Mughal courts of India and Iran too. In later periods, a lot of these pieces were exported to Europe and, in the early 19th century, even to North America.” The “chicken cup” which sold at Sotheby’s Hong Kong in 2014. Photograph: Sotheby’s These two ends of the market meet at a common point—objects were made to be used, and often still are. Take that record-breaking chicken cup, a bowl named for the rooster, hen and chicks on its side, which represented core values of the period, such as nurturing the young. “There are collectors who may not buy the most expensive objects, but they are living with them,” says Brucks—just as emperors did. Traditionally, the market for Chinese art was driven by wealthy collectors based in Europe and the Americas, including prolific collectors such as the Rockefellers. Early 20th-century pioneers for integrating Chinese porcelain into Western interiors, the family’s notable collection of some 300 rare examples of Chinese art is still housed at the Asia Society Museum in New York today. A growing number of today’s buyers are younger, often with Chinese heritage. For any interested collector, Bruck’s advice is simple: “You should buy things that you love, that you have a connection with. The category really rewards people that have put the time in to appreciate and closely inspect the pieces.” Sotheby’s regularly holds Asian art exhibitions, both selling and non-selling, in New York, Hong Kong and Paris. Photograph: Sotheby’s March’s sale, the first of Chinese Art in Sotheby’s newly reopened Breuer Building in Manhattan, provides the perfect opportunity to explore. Among the top lots is a Guan dish from the Southern Song dynasty (1127-1279). “It’s one of those examples of the very minimalist aesthetic and has this beautiful intentional crackle to the glaze, in a manner that was really appreciated by the Song emperors,” says Bruck. A blue and white porcelain jar from the Xuande reign (1425-1435) of the Ming dynasty will also be available at an estimate of US$1.5-1.8 million. The jar is both an archetypal representation of Ming porcelain par excellence and a possibly unique example bearing the emperor’s reign mark. Regardless of their provenance, the constant place of these objects in everyday lives is a fascinating insight into their history. “You feel like you’re transported back in time,” says Bruck. “That you have a connection to these objects—they’re not just ancient things.” Our Collecting Focus series also features expert advice on contemporary art, jewelry, watches, wine, rare whisky, historic books, fashion history, natural history and Americana